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Land and Beaded Identity: Shaping Art Histories of Indigenous Women of the Flatland
by
Robertson, Carmen
in
Aesthetics
/ Art exhibitions
/ Art history
/ Art museums
/ Artists
/ Beadwork
/ Design
/ Indigenous art
/ Prairies
/ Women
2017
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Do you wish to request the book?
Land and Beaded Identity: Shaping Art Histories of Indigenous Women of the Flatland
by
Robertson, Carmen
in
Aesthetics
/ Art exhibitions
/ Art history
/ Art museums
/ Artists
/ Beadwork
/ Design
/ Indigenous art
/ Prairies
/ Women
2017
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Land and Beaded Identity: Shaping Art Histories of Indigenous Women of the Flatland
Journal Article
Land and Beaded Identity: Shaping Art Histories of Indigenous Women of the Flatland
2017
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Overview
Le territoire constitue une force déterminante dans la création artistique. Les prairies austères, notamment, exigent des artistes actuels comme de ceux qui les ont précédés une adaptation constante, déterminée par l'accès aux ressources et la nécessité de mobilité. Cet article s'intéresse à l'impact du territoire sur la pratique du perlage telle qu'exercée par les femmes autochtones. Il met en relation des exemples de perlage traditionnel conservés dans les collections muséales de la Saskatchewan avec les œuvres de trois artistes contemporaines autochtones des plaines, soit Ruth Cuthand, Judy Anderson et Katherine Boyer. La comparaison vise à mieux comprendre le processus intergénérationnel de transmission des pratiques ancestrales et ainsi révéler comment s'exprime le territoire dans les objets et œuvres ornés de perles, qui contribuent à façonner le récit des plaines.
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