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Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)
Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)
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Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)
Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)

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Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)
Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)
Journal Article

Sex with the City: Urban Spaces, Sexual Encounters and Erotic Spectacle in Tsukamoto Shinya‘s Rokugatsu no Hebi - A Snake of June (2003)

2007
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Overview
Shot in a blue washed monochrome, the city of Tsukamoto Shinya‘s A Snake of June, stages a number of highly mediated sadomasochistic sexual encounters within its public spaces. This article examines how the forms of mediation offered within the narrative by both architecture and technology as well as the mediation offered by the film‘s extraordinary blueness articulates the intimate relationship between sexuality and modernity. Following on from the work of Maurice Merleau-Ponty, it combines a phenomenological and dialectical approach to develop an analysis of sexual pleasure and sexual politics which can account for the embodied interaction of urban subjects and urban spaces.
Publisher
Manchester University Press

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