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Man Ray, African Art, and the Modernist Lens
by
Grossman, Wendy
, Bonnell, Letty
in
African American culture
/ African art
/ African art objects
/ Art exhibitions
/ Art exhibits
/ Art galleries & museums
/ Art history
/ Art objects, African
/ Art photography
/ Criticism and interpretation
/ Exhibition Preview
/ Exhibitions
/ Gelatins
/ Grossman, Wendy
/ Modernist art
/ Photography
/ Ray, Man
/ Sculpture
/ Silver
/ Stieglitz, Alfred
/ Still life photography
/ Surrealism
2009
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Man Ray, African Art, and the Modernist Lens
by
Grossman, Wendy
, Bonnell, Letty
in
African American culture
/ African art
/ African art objects
/ Art exhibitions
/ Art exhibits
/ Art galleries & museums
/ Art history
/ Art objects, African
/ Art photography
/ Criticism and interpretation
/ Exhibition Preview
/ Exhibitions
/ Gelatins
/ Grossman, Wendy
/ Modernist art
/ Photography
/ Ray, Man
/ Sculpture
/ Silver
/ Stieglitz, Alfred
/ Still life photography
/ Surrealism
2009
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Do you wish to request the book?
Man Ray, African Art, and the Modernist Lens
by
Grossman, Wendy
, Bonnell, Letty
in
African American culture
/ African art
/ African art objects
/ Art exhibitions
/ Art exhibits
/ Art galleries & museums
/ Art history
/ Art objects, African
/ Art photography
/ Criticism and interpretation
/ Exhibition Preview
/ Exhibitions
/ Gelatins
/ Grossman, Wendy
/ Modernist art
/ Photography
/ Ray, Man
/ Sculpture
/ Silver
/ Stieglitz, Alfred
/ Still life photography
/ Surrealism
2009
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Journal Article
Man Ray, African Art, and the Modernist Lens
2009
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Overview
[...] the poet's frequently evoked query speaks to the significance of African art in the construction of modern American identities and aesthetics across racial boundaries in the first decades of the twentieth century, providing an overlay for the investigation of the role of photographs in this development.
Publisher
James S. Coleman African Studies Center, UCLA International Institute, University of California, Los Angeles,MIT Press,MIT Press Journals,African Studies Center
Subject
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