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Journal Article
Love for Love
2015
Overview
The company Salon Collective, for instance, stages Shakespearean plays by providing the actors with only their speeches and cues- and has to scour the country to find actors who do not know the play in question (currently Two Gentlemen of Verona). At the Globe and its new indoor space, the Sam Wanamaker Playhouse, \"authentic\" lighting, open air or candles, and acting techniques of direct-front or front-side stage address seek to reproduce the intimacy, conviviality, and interaction experienced between players and audiences in the plays' original settings. [...]we are who we are, taking our seats and watching Royal Shakespeare Company actors who are playing eighteenth-century actors, but who are also reverting to being \"real\" people asking for help from the audience-\"Are my stockings straight?\" \"Can you help me tie my cravat?\" \"Can you give a hand moving the stuffed stag?\"-as well as chatting informally-\"What is the weather like?\" \"Is it still raining?\" (a pretty safe question at this time of year in England) \"Did you find decent parking?\" (an even safer question).
Publisher
Pennsylvania State University Press
Subject
