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Hacia una nueva subjetividad: La figura del padre en la novela sentimental y La Celestina
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Hacia una nueva subjetividad: La figura del padre en la novela sentimental y La Celestina
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Hacia una nueva subjetividad: La figura del padre en la novela sentimental y La Celestina
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Journal Article
Hacia una nueva subjetividad: La figura del padre en la novela sentimental y La Celestina
2016
Overview
El presente artículo analiza la figura del padre en las novelas sentimentales Siervo libre de amor (1440) de Juan Rodríguez del Padrón, Cárcel de amor (1492) de Diego de San Pedro y La Historia de Grisel y Mirabella (1495) de Juan de Flores con el fin de contrastar a Pleberio, padre de Melibea en La Celestina, con el modelo de padre que nos ofrecen estas novelas sentimentales. Mi argumento es que la figura del padre en La Celestina es una parodia de la figura paterna en la novela sentimental. Asimismo, con mi lectura, quiero demostrar que en Pleberio encontramos una nueva subjetividad en la que el padre no se preocupa por representar la ley y la autoridad y ser una figura imparcial, sino que el padre en la obra de Fernando de Rojas asume una posición más humana en relación con la muerte de su hija. This article examines the figure of the father in the sentimental novels Siervo libre de amor (1440) by Juan Rodríguez del Padrón, Cárcel de amor (1492) by Diego de San Pedro and La Historia de Grisel y Mirabella (1495) by Juan de Flores in order to contrast those figures with the character of Pleberio in La Celestina. I argue that the father in La Celestina should be read as a parody of the figure of the father in the sentimental novel genre. Moreover, I propose that Pleberio represents a new form of subjectivity, in which the father is not worried about representing the law and authority nor about being impartial. In Fernando de Rojas' text, the father instead he takes a more human stance regarding his daughter's death.
