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Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
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Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
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Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
Journal Article

Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century

2021
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Overview
Utilizing the contemporary daily, Spanish-language newspapers surviving from the final three decades of 19th–century Manila, this study investigates the extensive activities of the eight regimental bands stationed in Manila, the Philippines. Even though these dailies served as powerful tools for the imposition of colonial subjugation and disenfranchisement on the indigenous Filipino population, they also reveal that the regimental bands were the most active musical ensembles during that era. This review of the papers began by chronicling the frequency of the many free, weekly, outdoor concerts that total more than 2,700 performances. A related goal was to identify as many of the musical pieces presented in band arrangements during these performances. The newspapers also published additional valuable articles that discuss a variety of unique or unusual events involving the regimental band’s contributions to major military maneuvers, special occasions of state in honor of the Royal Family, and a set of seven concerts performed on consecutive days by one band during a major, religious feast.The dailies also permit us to follow the work of the bands during a period of crisis and some danger. From August 1896 to December 1897, the Spanish Military was engaged in a war with Filipino insurrectionists fighting for independence. The Military command responded to this threat in two ways that affected the bands. The first was the creation of a new regiment of indigenous-heritage soldiers to protect the capital from invasion by their countrymen. That new regiment, The Loyal Volunteers, also had a new band attached to it. Like all the bands, this new one was made up entirely of Filipino men. A second response affecting all of the bands was the order for the Band Masters to include in their public concerts a steady stream of newly composed works promoting the Spanish propaganda opposing the war. Though the revolt was ended with a peace treaty in late December 1897, just four months later, on 1 May, the fate of the Spanish colony was sealed when the U.S. armed forces invaded the Philippines. As the Spanish Military regiments exited the country, the work of the bands ended. A new period of brutal colonial subjugation of the Filipino people had commenced.
Publisher
University of California Digital Library - eScholarship
Subject