Asset Details
Do you wish to reserve the book?
'I write four times....': A tribute to the work and teaching of Donald Preziosi
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
'I write four times....': A tribute to the work and teaching of Donald Preziosi
Do you wish to request the book?
'I write four times....': A tribute to the work and teaching of Donald Preziosi
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Journal Article
'I write four times....': A tribute to the work and teaching of Donald Preziosi
2016
Overview
\"I write four times here, around painting.\" So states Jacques Derrida in section four of the first chapter, \"Passe-partout,\" of his book \"Truth in Painting,\" published in 1978 in French and in 1987 in English. Drawing on Derrida's insights and his quadrilateral conceit for the rest of this brief piece, I will 'write four times' around my intellectual and pedagogical debt to Donald Preziosi, framing (incompletely) my thoughts and memories; I contain them in this way, but aspects of desire and longing will inevitably seep out, oozing across the beveled edges of the passe-partout (beveled, they lead the eye and the mind from inside to outside, showing us there is no strict dividing line). The desire and longing will be evident in my shifts to \"Donald\" from the more formal \"Preziosi,\" a choice I make deliberately to dislocate the honorific and to implicate my feelings in my framing operation. In this way I will enact my awareness of the fact that my framing both constitutes and describes four aspects of what I believe to be the most important contributions of the work of Donald Preziosi. [Publication Abstract]
Publisher
Journal of Art Historiography,Department of Art History, University of Birmingham
Subject
