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Staging Habla de Negros
by
NICHOLAS R. JONES
in
16th century
/ 17th century
/ 18th century
/ African diaspora in literature
/ African influences
/ European Studies
/ History
/ Language & Literature
/ Latin American Studies
/ Performing Arts
/ Spain
/ Theater
/ Theater -- Spain -- African influences -- History -- 16th century
/ Theater -- Spain -- African influences -- History -- 17th century
/ Theater -- Spain -- African influences -- History -- 18th century
2019
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Staging Habla de Negros
by
NICHOLAS R. JONES
in
16th century
/ 17th century
/ 18th century
/ African diaspora in literature
/ African influences
/ European Studies
/ History
/ Language & Literature
/ Latin American Studies
/ Performing Arts
/ Spain
/ Theater
/ Theater -- Spain -- African influences -- History -- 16th century
/ Theater -- Spain -- African influences -- History -- 17th century
/ Theater -- Spain -- African influences -- History -- 18th century
2019
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Do you wish to request the book?
Staging Habla de Negros
by
NICHOLAS R. JONES
in
16th century
/ 17th century
/ 18th century
/ African diaspora in literature
/ African influences
/ European Studies
/ History
/ Language & Literature
/ Latin American Studies
/ Performing Arts
/ Spain
/ Theater
/ Theater -- Spain -- African influences -- History -- 16th century
/ Theater -- Spain -- African influences -- History -- 17th century
/ Theater -- Spain -- African influences -- History -- 18th century
2019
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eBook
Staging Habla de Negros
2019
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Overview
In this volume, Nicholas R. Jones analyzes white appropriations
of black African voices in Spanish theater from the 1500s through
the 1700s, when the performance of Africanized Castilian, commonly
referred to as habla de negros (black speech), was in
vogue.
Focusing on Spanish Golden Age theater and performative poetry
from authors such as Calderón de la Barca, Lope de Rueda, and
Rodrigo de Reinosa, Jones makes a strong case for revising the
belief, long held by literary critics and linguists, that white
appropriations and representations of habla de negros
language are \"racist buffoonery\" or stereotype. Instead, Jones
shows black characters who laugh, sing, and shout, ultimately
combating the violent desire of white supremacy. By placing early
modern Iberia in conversation with discourses on African diaspora
studies, Jones showcases how black Africans and their descendants
who built communities in early modern Spain were rendered legible
in performative literary texts.
Accessibly written and theoretically sophisticated, Jones's
groundbreaking study elucidates the ways that habla de
negros animated black Africans' agency, empowered their
resistance, and highlighted their African cultural retentions. This
must-read book on identity building, performance, and race will
captivate audiences across disciplines.
Publisher
Penn State University Press,Pennsylvania State University Press
Subject
ISBN
0271083468, 9780271083469
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