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Notes on Franz Wickhoff's School and Max Dvořák's Italian Renaissance studies based on new archival materials
by
Murár, Tomáš
in
20th century
/ Archives & records
/ Art criticism
/ Art history
/ Artistic movements
/ Correspondence
/ Dvorak, Max (1874-1921)
/ franz wickhoff
/ Historical analysis
/ Historiography
/ Influence
/ Italian culture
/ italian renaissance
/ kunstgeschichte als geistesgeschichte
/ max dvořák
/ Personal relationships
/ Renaissance period
/ Riegl, Alois (1858-1905)
/ Wickhoff, Franz (1853-1909)
2023
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Notes on Franz Wickhoff's School and Max Dvořák's Italian Renaissance studies based on new archival materials
by
Murár, Tomáš
in
20th century
/ Archives & records
/ Art criticism
/ Art history
/ Artistic movements
/ Correspondence
/ Dvorak, Max (1874-1921)
/ franz wickhoff
/ Historical analysis
/ Historiography
/ Influence
/ Italian culture
/ italian renaissance
/ kunstgeschichte als geistesgeschichte
/ max dvořák
/ Personal relationships
/ Renaissance period
/ Riegl, Alois (1858-1905)
/ Wickhoff, Franz (1853-1909)
2023
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Notes on Franz Wickhoff's School and Max Dvořák's Italian Renaissance studies based on new archival materials
by
Murár, Tomáš
in
20th century
/ Archives & records
/ Art criticism
/ Art history
/ Artistic movements
/ Correspondence
/ Dvorak, Max (1874-1921)
/ franz wickhoff
/ Historical analysis
/ Historiography
/ Influence
/ Italian culture
/ italian renaissance
/ kunstgeschichte als geistesgeschichte
/ max dvořák
/ Personal relationships
/ Renaissance period
/ Riegl, Alois (1858-1905)
/ Wickhoff, Franz (1853-1909)
2023
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Notes on Franz Wickhoff's School and Max Dvořák's Italian Renaissance studies based on new archival materials
Journal Article
Notes on Franz Wickhoff's School and Max Dvořák's Italian Renaissance studies based on new archival materials
2023
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Overview
When Max Dvořák's (1874-1921) art history is considered,1 Franz Wickhoff's (1853-1909) and Alois Riegl's (1858-1905) influence is always mentioned in the foreground of the historiographical research.2 However, a question that, in my opinion, has yet to be adequately addressed is in what sense and to what extent Dvořák's method of art history was directly formed by his personal relationships with Riegl and especially Wickhoff. This article therefore seeks to show the ways in which Wickhoff and Riegl may have had an influence on Max Dvořák's thinking on art history through their private relationships, which can be reconstructed based on a newly found archival materials, in order to fill in a gap in the historiographic research on the Vienna School of Art History.
Publisher
Journal of Art Historiography,Department of Art History, University of Birmingham
Subject
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