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Xu Bing, Ed Pien and Gu Xiong: Lost and Found in Translation
by
Mahon, Patrick
in
Aesthetics
/ Art exhibits
/ Artists
/ Asian Culture
/ Canada
/ China
/ Chinese languages
/ Communication
/ Cultural Differences
/ Cultural Factors
/ Cultural Influences
/ Culture
/ English
/ Essays
/ Ethnicity
/ Fathers
/ Foreign Countries
/ Gu Xiong
/ Ideography
/ Linguistics
/ Meaning
/ Pien, Ed
/ Semiotics
/ Social Factors
/ Taiwan
/ Translation
/ United States
/ Visual artists
/ Visual Arts
/ Visual Media
/ Xu Bing
/ Young Children
2008
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Xu Bing, Ed Pien and Gu Xiong: Lost and Found in Translation
by
Mahon, Patrick
in
Aesthetics
/ Art exhibits
/ Artists
/ Asian Culture
/ Canada
/ China
/ Chinese languages
/ Communication
/ Cultural Differences
/ Cultural Factors
/ Cultural Influences
/ Culture
/ English
/ Essays
/ Ethnicity
/ Fathers
/ Foreign Countries
/ Gu Xiong
/ Ideography
/ Linguistics
/ Meaning
/ Pien, Ed
/ Semiotics
/ Social Factors
/ Taiwan
/ Translation
/ United States
/ Visual artists
/ Visual Arts
/ Visual Media
/ Xu Bing
/ Young Children
2008
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Do you wish to request the book?
Xu Bing, Ed Pien and Gu Xiong: Lost and Found in Translation
by
Mahon, Patrick
in
Aesthetics
/ Art exhibits
/ Artists
/ Asian Culture
/ Canada
/ China
/ Chinese languages
/ Communication
/ Cultural Differences
/ Cultural Factors
/ Cultural Influences
/ Culture
/ English
/ Essays
/ Ethnicity
/ Fathers
/ Foreign Countries
/ Gu Xiong
/ Ideography
/ Linguistics
/ Meaning
/ Pien, Ed
/ Semiotics
/ Social Factors
/ Taiwan
/ Translation
/ United States
/ Visual artists
/ Visual Arts
/ Visual Media
/ Xu Bing
/ Young Children
2008
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Xu Bing, Ed Pien and Gu Xiong: Lost and Found in Translation
Journal Article
Xu Bing, Ed Pien and Gu Xiong: Lost and Found in Translation
2008
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Overview
The works of contemporary artists Xu Bing, Ed Pien and Gu Xiong are involved in bringing to light some of the factors inherent in social, cultural and linguistic translation. In doing so, each artist is also engaged in the nuanced activity of moving between historical and contemporary aesthetic strategies in order to interrogate the way meaning is produced through materials-based iterations, against a backdrop of public culture. This essay situates the works of Xu Bing, Ed Pien and Gu Xiong in relation to each artist's own respective practice which has spanned more than twenty years. Concentrating specifically on projects where the artists mobilize western-influenced art methodologies and refer to traditional Chinese/Asian art styles, the essay makes canny revelations about the nature of communication, and on linguistic and material translation, in contemporary culture in the globalizing world. (Contains 9 figures and 8 endnotes.)
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