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Magazine Article
Mittel march
2025
Overview
In 1932, the Museum of Modern Art mounted \"The International Style\" an exhibition curated by Philip Johnson and Henry-Russell Hitchcock, that defined an architecture they regarded as so pure that it sat above mere styles. The curator of the 2000 Metropolitan Museum of Art exhibition \"American Modernism, 1925-1940\" was more inclusive than Johnson and Hitchcock, yet they chose the date ofthe French exposition as the start of the story, an approach that ignored the role of the Central European émigrés who arrived before 1925 in defining American modernism. Encompassing a wide range of fields including architecture, art, and artisanship, Stern and Long write compelling narratives of the creation of buildings, furniture, household objects, posters, films sets, clothing, fabrics, and books. Advertising, especially in the form of posters, provided many opportunities: the artist Hans Flato arrived in 1910 and by 1913 had completed work for the Post-Gazette and the American Examiner, which brought him critical acclaim and a place in an exhibition of posters organized by the Metropolitan Museum.
Publisher
Foundation for Cultural Review
Subject
