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El canto de liberación de Dendropsophus sanborni , con comentarios sobre el canto de liberación entre Dendropsophus
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El canto de liberación de Dendropsophus sanborni , con comentarios sobre el canto de liberación entre Dendropsophus
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Journal Article
El canto de liberación de Dendropsophus sanborni , con comentarios sobre el canto de liberación entre Dendropsophus
2024
Overview
Los cantos de liberación son una respuesta al amplexo inadecuado entre diferentes especies o entre machos. Este canto es muy diferente entre especies estrechamente relacionadas y puede ser una herramienta importante para la taxonomía de este grupo. Aquí, describimos por primera vez, el canto de liberación de Dendropsophus sanborni (Schmidt, 1944) a partir de un registro durante un viaje de campo en un palmeral en el sur de Brasil. Grabamos dos cantos de liberación de un individuo macho de D. sanborni mientras se manipulaba. Estos cantos de liberación son simples, formados por una nota sin modulación. Los cantos de liberación de Dendropsophus están poco registrados en la literatura y las comparaciones entre ellos son limitadas. Los cantos de liberación son posiblemente mucho más comunes de lo que se informa en la literatura y se necesitan más estudios de descripción. Palabras clave: Bioacoústica, neotrópicos, repertorio vocal, Dendropsophus Release calls are a non-receptive response to amplexus between different species or conspecific amplexus between males. This call differs between closely related species and can be an important tool for the taxonomy of this group. Here, we describe, for the first time, the release call of Dendropsophus sanborni (Schmidt, 1944) from a record during a field trip in a palm grove in southern Brazil. We recorded two release calls from a male individual of D. sanborni while handling it. These release calls are simply formed by one note with no modulation. Release calls of Dendropsophus are poorly reported in the literature, and comparisons among them are limited. Release calls are possibly much more common than reported in the literature and more description studies are needed. Keywords: Bioacoustics, communication, vocal repertoire, acoustic signals
Publisher
Universidad Nacional de Colombia, Instituto de Ciencias
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