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Music in the Modern-Postmodern Labyrinth
by
Griffiths, Paul
in
Communist countries
/ Composers
/ Composition
/ Composition (Music)
/ English
/ History
/ Language history
/ Modernism
/ Music
/ Music composition
/ Music criticism
/ Musical expression
/ Musical performance
/ Orchestral music
/ Orchestras
/ Postmodernism
/ Russian language
/ Serial music
/ Social aspects
/ Symphonies
2006
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Music in the Modern-Postmodern Labyrinth
by
Griffiths, Paul
in
Communist countries
/ Composers
/ Composition
/ Composition (Music)
/ English
/ History
/ Language history
/ Modernism
/ Music
/ Music composition
/ Music criticism
/ Musical expression
/ Musical performance
/ Orchestral music
/ Orchestras
/ Postmodernism
/ Russian language
/ Serial music
/ Social aspects
/ Symphonies
2006
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Do you wish to request the book?
Music in the Modern-Postmodern Labyrinth
by
Griffiths, Paul
in
Communist countries
/ Composers
/ Composition
/ Composition (Music)
/ English
/ History
/ Language history
/ Modernism
/ Music
/ Music composition
/ Music criticism
/ Musical expression
/ Musical performance
/ Orchestral music
/ Orchestras
/ Postmodernism
/ Russian language
/ Serial music
/ Social aspects
/ Symphonies
2006
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Journal Article
Music in the Modern-Postmodern Labyrinth
2006
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Overview
Soviet authorities are slowly but gradually opening towards Western ideas and at first only in outlying parts of Communist bloc the composers there could now write a little less circumspectly but difference of cultures persisted, the composers in Eastern Europe were unable or unwilling to abandon traditional kinds of musical communication. Composition since 1975 has seen no startling innovation and many composers have ably and imaginatively continued with the language of modernism and there is no stable axis for development and the clocks measure only the labyrinth's steady expansion.
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