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LA BONNE FONT
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Archives
/ Audiovisual archives
/ Audiovisual libraries
/ Behavioral sciences
/ Cultural anthropology
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ farmhouse
/ Fayence
/ Film archives
/ Film libraries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ La Bonne Font
/ Language
/ Libraries
/ Linguistics
/ Memoirs
/ Movies
/ Moving image archives
/ Museum of Modern Art
/ Orthographies
/ Pierre Kerroux
/ Rene d'Harnoncourt
/ Special libraries
/ Typographic fonts
/ Typographies
2014
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LA BONNE FONT
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Archives
/ Audiovisual archives
/ Audiovisual libraries
/ Behavioral sciences
/ Cultural anthropology
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ farmhouse
/ Fayence
/ Film archives
/ Film libraries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ La Bonne Font
/ Language
/ Libraries
/ Linguistics
/ Memoirs
/ Movies
/ Moving image archives
/ Museum of Modern Art
/ Orthographies
/ Pierre Kerroux
/ Rene d'Harnoncourt
/ Special libraries
/ Typographic fonts
/ Typographies
2014
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Do you wish to request the book?
LA BONNE FONT
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Archives
/ Audiovisual archives
/ Audiovisual libraries
/ Behavioral sciences
/ Cultural anthropology
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ farmhouse
/ Fayence
/ Film archives
/ Film libraries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ La Bonne Font
/ Language
/ Libraries
/ Linguistics
/ Memoirs
/ Movies
/ Moving image archives
/ Museum of Modern Art
/ Orthographies
/ Pierre Kerroux
/ Rene d'Harnoncourt
/ Special libraries
/ Typographic fonts
/ Typographies
2014
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Book Chapter
LA BONNE FONT
2014
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Overview
Drawn again to her rural beginnings, Iris settled on a farm, but not one as well-appointed as Temora had been in Pennsylvania. “Try to imagine” she wrote Edmund Schiddel shortly after she bought La Bonne Font,¹ “living in a semi-ruined farmhouse with no light, no plumbing and almost no nothing (you’ve done it!) in a sudden snap of cold and rain. All the time goes in fetching water from the brook and dragging in wood to try to cook and wash, and hauling out pails. I said no plumbing and I meant it, there is a handy pigsty but when
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