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Animating for “Whom” in the Aftermath of a World War
by
Tze-yue G. Hu
in
animated films
/ animation
/ animation artists
/ cinema
/ Japan
/ Kumakawa Masao
/ Literary Studies (20th Century onwards)
/ Literary Studies (Graphic Novels)
/ Literary Studies - World
/ Literary Theory and Cultural Studies
/ Mahō no pen
/ Masaoka Kenzō
/ Media Studies
/ Sakura
/ World War II
2013
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Animating for “Whom” in the Aftermath of a World War
by
Tze-yue G. Hu
in
animated films
/ animation
/ animation artists
/ cinema
/ Japan
/ Kumakawa Masao
/ Literary Studies (20th Century onwards)
/ Literary Studies (Graphic Novels)
/ Literary Studies - World
/ Literary Theory and Cultural Studies
/ Mahō no pen
/ Masaoka Kenzō
/ Media Studies
/ Sakura
/ World War II
2013
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Do you wish to request the book?
Animating for “Whom” in the Aftermath of a World War
by
Tze-yue G. Hu
in
animated films
/ animation
/ animation artists
/ cinema
/ Japan
/ Kumakawa Masao
/ Literary Studies (20th Century onwards)
/ Literary Studies (Graphic Novels)
/ Literary Studies - World
/ Literary Theory and Cultural Studies
/ Mahō no pen
/ Masaoka Kenzō
/ Media Studies
/ Sakura
/ World War II
2013
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Book Chapter
Animating for “Whom” in the Aftermath of a World War
2013
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Overview
In this chapter I will focus on the development of animation in postwar Japan, with emphasis on the period of the Allied Forces Occupation from 1945 to 1952. Hirano Kyōko’s (1992) groundbreaking work about the state of the Japanese cinema during that period should have been the most direct reference for this research. However, like other similar publications, it does not cover the animating medium, giving the overall impression that Japan had stopped producing animation after the end of the Second World War. Among the notable publications in English that have appeared so far and have given due emphasis to
Publisher
University Press of Mississippi
Subject
ISBN
1617038091, 1628461799, 9781617038099, 9781628461794
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