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Themes and variation
by
Joseph Mai
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Film theory & criticism
2017
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Themes and variation
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Joseph Mai
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Film theory & criticism
2017
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Themes and variation
2017
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Overview
The 1990s were a period of great optimism for Guédiguian, but, as they came to an end, there were indications that History would not fulfil its promises so easily. At the same time, Guédiguian did not revert to the pessimism of the 1980s: he did not reject the conte de L’Estaque, nor renounce the desire to re-enchant the world. Moving forward into the 2000s, the basic project of ‘living with friends’ was the backbone of his work, and the friends still measured their project against an ideal of History in mutation. They did not always come out on top, but
Publisher
Manchester University Press
Subject
ISBN
0719096472, 9780719096471
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