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Martyrdom for the Nation. The Slavic Balkans in the Painting of the Nineteenth Century
by
Baleva, Martina
in
Artists
/ Balkan States
/ Central Europe
/ Greece
/ History of art
/ Independence
/ Narratives
/ Nationalism
/ Ottoman Empire
/ Political conditions
/ Regional analysis
/ Slavs
/ Southeast Europe
/ Stereotypes
2009
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Martyrdom for the Nation. The Slavic Balkans in the Painting of the Nineteenth Century
by
Baleva, Martina
in
Artists
/ Balkan States
/ Central Europe
/ Greece
/ History of art
/ Independence
/ Narratives
/ Nationalism
/ Ottoman Empire
/ Political conditions
/ Regional analysis
/ Slavs
/ Southeast Europe
/ Stereotypes
2009
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Do you wish to request the book?
Martyrdom for the Nation. The Slavic Balkans in the Painting of the Nineteenth Century
by
Baleva, Martina
in
Artists
/ Balkan States
/ Central Europe
/ Greece
/ History of art
/ Independence
/ Narratives
/ Nationalism
/ Ottoman Empire
/ Political conditions
/ Regional analysis
/ Slavs
/ Southeast Europe
/ Stereotypes
2009
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Martyrdom for the Nation. The Slavic Balkans in the Painting of the Nineteenth Century
Journal Article
Martyrdom for the Nation. The Slavic Balkans in the Painting of the Nineteenth Century
2009
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Overview
In the beginning was Delacroix. He gave expression to Greece's striving for independence. After that, artists from East Central Europe directed their interest to the Balkans. They dedicated numerous pictures to the anti-Ottoman uprisings of the south Slavic peoples & made their cause well-known. In doing so, they fell back on archetypical motifs of occidental tradition, thus creating the narrative of national martyrdom & stereotypes about the Balkans. With their oeuvre, they influenced the self-perception of the Slavs & facilitated their nation-building. At the same time, the artists implicitly criticized political conditions at home & expressed their own national ambitions. Adapted from the source document.
Subject
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