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\Forfaiture\: Un modèle pour l'histoire
\Forfaiture\: Un modèle pour l'histoire
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\Forfaiture\: Un modèle pour l'histoire
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\Forfaiture\: Un modèle pour l'histoire
\Forfaiture\: Un modèle pour l'histoire

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\Forfaiture\: Un modèle pour l'histoire
\Forfaiture\: Un modèle pour l'histoire
Magazine Article

\Forfaiture\: Un modèle pour l'histoire

1992
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Overview
DeMiIIe en avait modifié le montage et les intertitres, transformant le Japonais Hishuru Tori en Birman qui répondait au nom de Haka Arakau ; cette nationalité était sans doute plus floue pour les Américains de l'époque, et disparaissat au profit d'une notion plus générale d'Asiatique. Vu aujourd'hui dans de bonnes conditions de projection 4, Forfaiture est un film passionnant dont la violence dramatique (pas seulement celle des rapports entre Mme Hardy et Hara, mais aussi celle des dernières séquences du tribunal) garde tout son impact, et dont les moyens de mise en scène ont, soixante dix-sept ans après leur emploi, une étonnante efficacité 5. Cf. l'article de David Pierce : « Success with a dollar sign, costs and grosses for the early films of Cecil B. DeMille », dans L'eredità DeMille, de Paolo Cerchi Usai et Lorenzo Codelll (le « donate del cinema muto », Edizioni Biblioteca dell'immagine).
Publisher
Paris :Nouvelles éditions Opta,Positif Editions