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CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
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CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
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CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA

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CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA
Journal Article

CARAS IDÉNTICAS. UNA TRAYECTORIA SEMIÓTICA

2025
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Overview
This article explores the poetic use of mirrors in Argentine literature, focusing on Silvina Ocampo's story \"La cara\" while also extending the analysis to works by Macedonio Fernandez, Julio Cortazar, and Jorge Luis Borges. The mirrors are examined as symbols that reflect and interrogate identity both literally and metaphorically, positioning them within a uniquely Argentine tradition distinct from the typical use of mirrors in European fantastical literature. The paper also presents an innovative comparison between literary mirrors and digital twins, suggesting that classical themes of duplication and reflection remain relevant in current discussions of digital identity and representation. La imagen del rostro diminuto reflejado en la cuchara del postre instila la intuición primigenia de una deformación, luego de una inversión, y marca muy temprano la experiencia con la necesidad de una alternativa entre la pragmática de la cara que vive comiendo y la auto-reflexión de un rostro que cesa de funcionar como boca animal porque se remira en un espejo:
Publisher
Universidad Nacional de Educacion a Distancia (UNED)