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The “Classical” Model of the Golden Age
by
Rowland, Susan
in
characteristic of golden age fiction ‐ self‐referential or metafictional quality
/ detective in golden age fiction, new hero for the post ‐ World War I traumatizing the landscape
/ Golden Age fiction making ideologies ‐ visible in process and closure of plots, revealing complex politics
/ golden age novel, referring itself as a detective fiction
/ hero, myth, and grail ‐ Golden Age novel presenting a self‐referential social scene as metonym for wasteland of modernity
/ In Artists in Crime , a beautiful artists' model is stabbed
/ popular form of crime fiction, 1918 and 1945 ‐ attracting labels, “classical” and “golden age”
/ Tey's Alan Grant, a policeman who longs to be a hero sleuth ‐ in A Shilling for Candles
/ “Classical” Model of the Golden Age
2010
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The “Classical” Model of the Golden Age
by
Rowland, Susan
in
characteristic of golden age fiction ‐ self‐referential or metafictional quality
/ detective in golden age fiction, new hero for the post ‐ World War I traumatizing the landscape
/ Golden Age fiction making ideologies ‐ visible in process and closure of plots, revealing complex politics
/ golden age novel, referring itself as a detective fiction
/ hero, myth, and grail ‐ Golden Age novel presenting a self‐referential social scene as metonym for wasteland of modernity
/ In Artists in Crime , a beautiful artists' model is stabbed
/ popular form of crime fiction, 1918 and 1945 ‐ attracting labels, “classical” and “golden age”
/ Tey's Alan Grant, a policeman who longs to be a hero sleuth ‐ in A Shilling for Candles
/ “Classical” Model of the Golden Age
2010
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Do you wish to request the book?
The “Classical” Model of the Golden Age
by
Rowland, Susan
in
characteristic of golden age fiction ‐ self‐referential or metafictional quality
/ detective in golden age fiction, new hero for the post ‐ World War I traumatizing the landscape
/ Golden Age fiction making ideologies ‐ visible in process and closure of plots, revealing complex politics
/ golden age novel, referring itself as a detective fiction
/ hero, myth, and grail ‐ Golden Age novel presenting a self‐referential social scene as metonym for wasteland of modernity
/ In Artists in Crime , a beautiful artists' model is stabbed
/ popular form of crime fiction, 1918 and 1945 ‐ attracting labels, “classical” and “golden age”
/ Tey's Alan Grant, a policeman who longs to be a hero sleuth ‐ in A Shilling for Candles
/ “Classical” Model of the Golden Age
2010
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Book Chapter
The “Classical” Model of the Golden Age
2010
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Overview
This chapter contains sections titled:
Goodbye Mr Holmes!
Feminized Quests, Cooking and New Hero Myths
Hero, Myth, and Grail
Ideology: Conservative in Closure, Not in Process
Golden Age Crime and War
Conclusion: Sacred Space and the End of Death
Publisher
Wiley‐Blackwell
Subject
characteristic of golden age fiction ‐ self‐referential or metafictional quality
/ detective in golden age fiction, new hero for the post ‐ World War I traumatizing the landscape
/ golden age novel, referring itself as a detective fiction
/ In Artists in Crime , a beautiful artists' model is stabbed
/ popular form of crime fiction, 1918 and 1945 ‐ attracting labels, “classical” and “golden age”
/ Tey's Alan Grant, a policeman who longs to be a hero sleuth ‐ in A Shilling for Candles
ISBN
9781405167659, 1405167653
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