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Génesis del arte minimalista: aportación mexicana
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Journal Article
Génesis del arte minimalista: aportación mexicana
2018
Overview
The article addresses the minimalist proposals of Mathias Goeritz and Luis Barragán from 1953, the Mexicans precursors of architectural and sculpture objects contributed to sustain the minimal art avant-garde. American artists of the sixties systematized in part the findings of Mexican architects in implementing minimum structures. The text proposes correspondences plastic root of Mexicans and Americans sculptors, using the method of comparative analysis. Furthermore, the Americans artist’s sculptural theories and systems of construction to developed for the trend. Also, it is verified that the Mexican minimalist production incorporated formal compositional elements developed by the Americans. The text states that the Mexican minimalist work was consolidated in parallel with the Americans, with photographs and references substantiating examples of equivalent creations that enrich the avant-garde. Finally, we address the contemporary minimalist assemblage.
El artículo aborda las propuestas minimalistas de Mathias Goeritz y Luis Barragán, a partir de 1953; los precursores mexicanos aportaron obra escultórica y arquitectónica para sustentar la vanguardia del minimal art. Los artistas estadounidenses de los años sesenta sistematizaron en parte los hallazgos de los arquitectos mexicanos en la ejecución de sus estructuras mínimas. El texto propone correspondencias plásticas de norteamericanos y mexicanos de raíz minimalista, utilizando el método de análisis comparativo. Por otro lado, los artistas estadunidenses desarrollaron teorías y métodos escultóricos para la tendencia. Así también, se verifica que la producción minimalista mexicana incorporó elementos formales compositivos desarrollados por los norteamericanos. En el texto se afirma que la obra minimalista mexicana se consolidó de forma paralela a la norteamericana, ejemplificándose con fotografías probatorias de creaciones equivalentes que enriquecen la vanguardia. Por último, se plantea la vigencia del ensamblaje minimalista contemporáneo.
