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INTRODUCTION
by
Corey K. Creekmur
, Linda Y. Mokdad
2013
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INTRODUCTION
by
Corey K. Creekmur
, Linda Y. Mokdad
2013
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INTRODUCTION
2013
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Overview
Although the Hollywood musical is known and enjoyed worldwide, the popular tradition of the film musical in many other major world cinemas remains largely unknown by critics as well as fans outside of the specific local, national or regional contexts in which it has none the less often thrived.¹ Despite this all-too-familiar imbalance, the musical appears to be one of the most popular genres across world cinema and, as in the United States, much of the world’s popular music since the arrival of film sound has been disseminated through film performances. Indeed, in a country like India (at times home
Publisher
Edinburgh University Press
ISBN
9780748654307, 0748654305
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