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Conclusion
by
Saundra Schwartz
in
Adultery
/ Applied arts
/ Architectural elements
/ Architecture
/ Arts
/ Bedrooms
/ Behavioral sciences
/ Courtrooms
/ Families
/ Family relations
/ Human societies
/ Infidelity
/ Interior spaces
/ Judicial system
/ Law
/ Legal proceedings
/ Rooms
/ Social institutions
/ Sociology
/ Spousal relations
/ Trial court proceedings
/ Trials
2017
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Conclusion
by
Saundra Schwartz
in
Adultery
/ Applied arts
/ Architectural elements
/ Architecture
/ Arts
/ Bedrooms
/ Behavioral sciences
/ Courtrooms
/ Families
/ Family relations
/ Human societies
/ Infidelity
/ Interior spaces
/ Judicial system
/ Law
/ Legal proceedings
/ Rooms
/ Social institutions
/ Sociology
/ Spousal relations
/ Trial court proceedings
/ Trials
2017
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Do you wish to request the book?
Conclusion
by
Saundra Schwartz
in
Adultery
/ Applied arts
/ Architectural elements
/ Architecture
/ Arts
/ Bedrooms
/ Behavioral sciences
/ Courtrooms
/ Families
/ Family relations
/ Human societies
/ Infidelity
/ Interior spaces
/ Judicial system
/ Law
/ Legal proceedings
/ Rooms
/ Social institutions
/ Sociology
/ Spousal relations
/ Trial court proceedings
/ Trials
2017
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Book Chapter
Conclusion
2017
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Overview
In conclusion, the four trial scenes of Chariton’s novel reveal a range of attitudes to the law. In all, the character of the leader—the commander of Syracuse or the king of Persia—determines the integrity of the system of justice. The grandiose and spectacular venues of the Syracusan forum and agora and the Babylonian courtroom speak to of the form of legal consciousness that Ewick and Silbey call ‘Before the Law’, when the court is perceived as ‘an objective realm of disinterested action’. Yet both Hermocrates and the Persian king struggle between their private interests and their duty: Hermocrates
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