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JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS WITH HOME MOVIES AND ARCHIVAL PRACTICES: TheInternational Institute for the Conservation, Archiving, and Distribution of Other People's Memories (IICADOM)
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JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS WITH HOME MOVIES AND ARCHIVAL PRACTICES: TheInternational Institute for the Conservation, Archiving, and Distribution of Other People's Memories (IICADOM)
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Journal Article
JASPER RIGOLE'S QUIXOTIC ART EXPERIMENTS WITH HOME MOVIES AND ARCHIVAL PRACTICES: TheInternational Institute for the Conservation, Archiving, and Distribution of Other People's Memories (IICADOM)
2012
Overview
Belgian artist Jasper Rigole, founder and conservator of the (fictitious) International Institute for the Conservation, Archiving, and Distribution of Other People's Memories, or IICADOM, assembles found home movies to create a surrealist filmic world that is both universal and particular. He presents us an imaginative method to interrogate the way archives work, to explore the complex dialogue between memory and history, and to study the language of home movies in particular. Rigole's style can best be described as a filmic form of experimental life-writing that calls to mind the work of Jorge Luis Borges and Georges Perec, two sources of inspiration for the artist on which this article also builds, complemented by the cultural theory of Patricia Zimmerman and other home movie experts.
Publisher
University of Minnesota
Subject
