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Escribir el tiempo político: una ficción de 1848
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Escribir el tiempo político: una ficción de 1848
Escribir el tiempo político: una ficción de 1848
Journal Article

Escribir el tiempo político: una ficción de 1848

2015
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Overview
Este artículo pretende volver sobre la cuestión de las relaciones entre literatura y política en Francia en el siglo XIX, alejándose de las perspectivas clásicas del compromiso o del desencanto que contemplan la política como el «exterior» de la literatura. El estudio de una «ficción de 1848», una novela por entregas escrita entre 1848 y 1850, permite comprender cómo la producción literaria, en su materialidad, sus motivos y las formas de su publicación, puede ser comprendida y trabajada por una temporalidad política que intenta representar. Se aborda, en este sentido, la compleja cuestión de la «adhesión» de los hombres de letras al régimen de Luis-Napoleón, considerado habitualmente desde el punto de vista de las tomas de posición de los escritores y raramente observado en el trabajo de la escritura novelesca. La contextualización precisa de la actividad y de los escritos literarios en el tiempo de su producción y de su publicación permite convertir estos escritos en verdaderos objetos para la historia y abre, de esta manera, la vía de una historia propiamente política de la literatura. This paper intends to reconsider the issue of literature and politics' relationships in XIXth-C France, departing from the traditional perspectives of engagement or disenchantment, where politics is always seen as the «outside» of literature. The study of a «fiction of 1848» —in this case a serial novel written and published between 1848 and 1850— allows to understand how a literary production, in its very materiality, in its specific patterns and forms of publication, could be shaped by the political temporality which was, at the same time, the object of the representation. The paper then approaches the complex issue of the «gens de lettres» rallying to Louis-Napoléon Bonaparte regime, which is often considered by studying writers' explicit political positions and rarely observed in the fictional writing work itself. Precise contextualization of literary activity and writings in the time of their production and publication, by constituing these writing as plain historical objects, can open a new way for a properly political history of literature.
Publisher
ASOCIACIÓN DE HISTORIA CONTEMPORÁNEA