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GETTING TO THE HEART OF THE MATTER
by
FALCATO, Ana Cristina
2015
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GETTING TO THE HEART OF THE MATTER
by
FALCATO, Ana Cristina
2015
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Journal Article
GETTING TO THE HEART OF THE MATTER
2015
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Overview
This article elaborates on a model to assess the evolution of formal realism in the novel since its inception up to the modernistic turn starting in the last decade of the nineteenth-century. I argue that realism in the novel is connected to a central philosophical issue: representation. Yet the very concept of \"representation\" became a point of difficulty in literature and in modern philosophy, seeing one cannot compare linguistic representations with reality itself as a test for accuracy because what we mean by \"reality\" already involves issues of representation. To better understand this puzzle, I examine two explanatory-models – one focusing on the critical development of literary conventions, the other on psycho-sociological developments – concluding that none of them can, alone, explain the impulse toward realistic representation and the evolution of key formal literary techniques that led to the modernistic turn.
Este artigo elabora um modelo teórico para avaliar a evolução da técnica do realismo formal no gênero do romance, desde o seu nascimento até ao giro modernista iniciado na última década do século XIX. Defendo que o realismo no romance está estruturalmente conectado com uma questão de índole filosófica: a questão da representação. Porém, a própria noção de \"representação\" torna-se um ponto de discórdia na literatura e na filosofia modernas, na medida em que não é possível comparar representações linguísticas com a própria realidade, como teste de precisão para aferir o respectivo acordo entre ambas, uma vez que aquilo que entendemos por \"realidade\" já implica questões de representação. Para melhor entender este puzzle, examinam-se dois modelos explicativos: o primeiro foca especialmente o desenvolvimento crítico das convenções literárias, o segundo parte de desenvolvimentos de tipo psicossocial. A conclusão extraída do balanço de ambos os modelos é que nenhum dos dois pode, por si só, explicar o impulso para um método de representação realista e a respectiva evolução de aspectos formais determinantes nessa convenção, que conduzirão ao giro modernista.
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UNIVERSIDADE ESTADUAL PAULISTA
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