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INTRODUZIONE. CAMPANELLA, MUSICA E STORIA CULTURALE NEL RINASCIMENTO
by
Bertolini, Manuel
in
MUSICA E STORIA CULTURALE NELLA PRIMA ETÀ MODERNA: IDEE, PRATICHE, EMOZIONI
2019
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INTRODUZIONE. CAMPANELLA, MUSICA E STORIA CULTURALE NEL RINASCIMENTO
by
Bertolini, Manuel
in
MUSICA E STORIA CULTURALE NELLA PRIMA ETÀ MODERNA: IDEE, PRATICHE, EMOZIONI
2019
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INTRODUZIONE. CAMPANELLA, MUSICA E STORIA CULTURALE NEL RINASCIMENTO
Journal Article
INTRODUZIONE. CAMPANELLA, MUSICA E STORIA CULTURALE NEL RINASCIMENTO
2019
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Overview
In ancient Greek musical theory, harmony was seen as being endowed with a natural virtue capable of altering the rational faculties of the listener’s soul. The many theological and cultural implications of this classical axiom featured in early modern debates about music, dance, comedy, and emotion. By exploring a series of Campanella’s sources, this article seeks to provide some examples of original theoretical elaborations formulated in the course of these debates. A central aim of this approach involves understanding the role of emotion in composing and performing music.
Publisher
Accademia Editoriale
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