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LE LOUVRE DES OBJETS FANTASTIQUES. À PROPOS DE JEAN FANFARE DE PAUL D’IVOI (1897)
by
Ducrey, Guy
in
LE MUSÉE DU LOUVRE ET LES ÉCRIVAINS ENTRE DEUX SIÈCLES
2019
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LE LOUVRE DES OBJETS FANTASTIQUES. À PROPOS DE JEAN FANFARE DE PAUL D’IVOI (1897)
by
Ducrey, Guy
in
LE MUSÉE DU LOUVRE ET LES ÉCRIVAINS ENTRE DEUX SIÈCLES
2019
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LE LOUVRE DES OBJETS FANTASTIQUES. À PROPOS DE JEAN FANFARE DE PAUL D’IVOI (1897)
Journal Article
LE LOUVRE DES OBJETS FANTASTIQUES. À PROPOS DE JEAN FANFARE DE PAUL D’IVOI (1897)
2019
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Overview
Le Louvre est le lieu d’un triple enjeu dans le roman de Paul d’Ivoi Jean Fanfare (1897) : pédagogique (il s’agit de l’évoquer plaisamment pour un public adolescent) ; narratif (comment libérer une jeune fille enfermée dans une statue exposée au musée ?) ; poétique (comment exploiter le fantastique du xixe siècle pour entraîner un lectorat sur les chemins de la muséographie moderne ?). De cette triple inspiration naît un récit palpitant, qui annonce peut-être l’imagination poétique de Cocteau.
The Louvre is the site of a threefold challenge in Paul d’Ivoi’s novel Jean Fanfare (1897): pedagogical (a question of portraying it in a pleasing way for an adolescent audience); narrative (how to release a girl locked in a statue exhibited at the museum?); poetic (how to exploit the nineteenth-century fantastic to usher readers into the realm of modern museography?). From this threefold well of inspiration is born a thrilling narrative, which perhaps foreshadows Cocteau’s poetic imagination.
Publisher
Presses Universitaires de France
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