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Journal Article
APOLLINAIRE ET SES AMIS. LE LOUVRE EN SES AMBIVALENCES
2019
Overview
L’attitude d’Apollinaire et des écrivains de son entourage témoigne moins d’une opposition systématique que d’un rapport ambivalent au Louvre et au musée en général, lieu de légitimation de l’art. Faisant le point sur les relations équivoques, voire contradictoires des promoteurs de « l’art vivant » (Salmon) au Louvre, l’article se propose de relire l’épisode du vol de La Joconde sur le plan imaginaire et symbolique, comme transgression esthétique et travestissement carnavalesque.
The attitude of Apollinaire and the writers around him is less symptomatic of a systematic opposition than of an ambiguous relationship with the Louvre and museums in general, the place where art is legitimated. Taking stock of the equivocal, even contradictory relations of the promoters of “l’art vivant” (Salmon) at the Louvre, this article proposes to reread the episode of The Mona Lisa’s theft on the imaginary and symbolic plane as an aesthetic transgression and carnivalesque travesty.
Publisher
Presses Universitaires de France
