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Journal Article
INGRES AU LOUVRE. LA CONSTRUCTION DE LA GRANDEUR PAR LA VIE ET PAR LES SALLES
2019
Overview
Du point de vue de la fortune critique d’Ingres, plus spécifiquement littéraire, la période allant de la mort de l’artiste en 1867 au début des années 1930 paraît moins riche que celle de son vivant, marquée par les critiques des Salons. Pourtant, l’entrée des toiles au Louvre en 1875 et les grandes expositions consacrent l’artiste. Les écrivains, quand ils dépassent les anecdotes sur le caractère d’Ingres, se concentrent sur La Grande Odalisque ou Le Bain turc, acquises par le Louvre en 1899 et 1911.
From the point of view of Ingres’ critical, more specifically literary, fortunes, the period from the death of the artist in 1867 to the early 1930s seems impoverished compared to that of his lifetime, and marked by criticism from the Salons. However, the arrival of paintings at the Louvre in 1875 and major exhibitions establish and legitimize the artist. Writers, when they go beyond anecdotes about Ingres’ character, focus on La Grande Odalisque or Le Bain turc, acquired by the Louvre in 1899 and 1911.
Publisher
Presses Universitaires de France
