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The Inner Man: Interiors and Masculinity in Early Twentieth-Century Vienna
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Journal Article
The Inner Man: Interiors and Masculinity in Early Twentieth-Century Vienna
2001
Overview
This essay argues that urban interiors as much as the city's streets were crucial to the progress of \"Selbstdarstellung\" [self representation] in early twentieth-century Vienna. Carl Moll's (1861-1945) \"Self-portrait in the Studio\" (c. 1906, Gemäldegalerie, Akademie der bildenen Künste, Vienna) is contrasted with photographs of the poet Peter Altenberg's (1859-1919) room at the Hotel Graben as images of the male artist 'at home' in order to reflect on what is often characterized as a specifically Viennese retreat to the interior.
