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A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James
A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James
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A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James
A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James

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A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James
A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James
Journal Article

A Segunda Natureza do Ator - Stanislavski e William James/The Actor's Second Nature - Stanislavski and William James/La Seconde Nature de l'Acteur - Stanislavski et William James

2014
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Overview
[...]Nature. A biblioteca de Stanislavski continha Elements of Scientific Psychology in the Theatrical Art in Connection with general questions of Theatre (Elementos da Psicologia Científica na Arte Teatral Liga- dos a Questões Gerais do Teatro), publicado em 1912 por Yevgeni Bezpiatov, (proprietário da Escola de Teatro A. S. Suvorin em São Petersburgo, onde Mikhail Tchekhov estudou), que cita Textbook of Psychology. William James foi quem popularizou o termo segunda natureza em Talks to Teachers on Psychology and Life's Ideals [Palestras para Professores sobre a Psicologia e os Ideais de Vida], no qual afirma que (1899): \"O hábito é, assim, uma segunda natureza, ou melhor, como o Duque de Wellington disse, ele é 'dez vezes a natureza'\" ( James, 1927, p. 65). É autora de The Stan- islavski System of Acting: legacy and influence in modern performance.
Publisher
Universidade Federal do Rio Grande do Sul, GETEPE - Grupo de Estudos em Educação, Teatro e Performance
Subject