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Carl Einstein y el umbral heurístico de la pintura/Carl Einstein and the heuristic threshold of Painting
by
Jareño, José María De Luelmo
in
Einstein, Carl
/ German
/ Heuristic
/ Philosophy
/ Writers
2014
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Carl Einstein y el umbral heurístico de la pintura/Carl Einstein and the heuristic threshold of Painting
by
Jareño, José María De Luelmo
in
Einstein, Carl
/ German
/ Heuristic
/ Philosophy
/ Writers
2014
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Carl Einstein y el umbral heurístico de la pintura/Carl Einstein and the heuristic threshold of Painting
Journal Article
Carl Einstein y el umbral heurístico de la pintura/Carl Einstein and the heuristic threshold of Painting
2014
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Overview
Throughout history the relationship between philosophy and painting has drawn round trips that have borne fruit in theories and works closely intertwined. Particular interest have, in this sense, the contributions of the German theorist Carl Einstein, prominent member of the first Vanguard and author of a highly original reading of the painting marked by an acute antikantism and by the Empiriocriticism of Ernst Mach. According to Einstein, the simultaneous dilution of subject and object in the process of creation and reception of painting is capable of operating major changes in the individual and, in full harmony with the ideals of the Vanguard, in the very configuration of reality.
Publisher
Servicio de Publicaciones, Universidad de Murcia
Subject
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