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From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim's \Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea\
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From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim's \Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea\
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From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim's \Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea\
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Journal Article
From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim's \Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea\
2015
Overview
Popular in the eighteenth and nineteenth centuries of the Joseon dynasty, chaekgeori's depiction of books and display shelves remains as little known in much of the art world today as Korean art itself, but its family history reveals a widespread range of cultural transmission stretching from Renaissance Europe through far eastern Asia at the end of the dynastic era. Implicated in this transmission is the spread of book culture, humanistic values, the establishment of modern habits of collection and display, and the rise of the today's public art and natural history museums. No studiolo was itself a more spectacular work of art than that from the from Ducal Palace in Gubbio, completed in 1482 and now in the Metropolitan Museum: a breathtaking masterpiece of intarsia, inlaid wood that creates a tromp l'oeil image of cabinets with doors partly opened to reveal their many contents, even the illusion of a small side room that serves as bird cage.
Publisher
Duke University Press
