Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Muriel rukeyser and the sources of documentary
by
Gander, Catherine
2008
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Do you wish to request the book?
Muriel rukeyser and the sources of documentary
by
Gander, Catherine
2008
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Dissertation
Muriel rukeyser and the sources of documentary
2008
Request Book From Autostore
and Choose the Collection Method
Overview
This thesis explores the sources of documentary in the work of Muriel Rukeyser. It argues for a distinct correlation between her writing and the modes, techniques, and ideologies of the documentary movement as it flourished during the 1930s, the decade in which Rukeyser came of age. Although recent scholarship has noted Rukeyser's debt to the photographic and reportorial trends of the 1930s, such scholarship focuses primarily on her early, modernist poetry, and does not investigate the enduring influence of documentary on her work. My thesis addresses this lack, charting the dialogue that emerged between Rukeyser's relational poetics and documentary's similarly intertextual and interdisciplinary approach to the realities of the world. It posits that Rukeyser's interest and involvement in the various aspects of documentary lasted for the duration of her life. It further argues that this profound connection goes some way to explaining her guiding poetic principles. Chapter one discusses Rukeyser's experimentation with the documentary form of the photo-text. It examines a process by which Rukeyser's belief in the necessity of the confluence of image and word took shape. Chapter two investigates Rukeyser's engagement in the documentary discourse of biography. It examines the extent to which the 1930s' impulse towards the aesthetic and iconographical depiction of human lives informed Rukeyser's own methods of biographical representation. Chapter three locates the sources of Rukeyser's engagement with documentary within the discipline of American Studies, and examines her contribution to the American project of national and literary re-discovery. Chapter four explores Rukeyser's involvement in travel reportage and touring the American landscape. It illustrates how Rukeyser pioneered a poetic cartography that provided witness to both the past and the present. In so doing, she constructed a mapping device by which to read her own poetics of connection.
Publisher
ProQuest Dissertations & Theses
MBRLCatalogueRelatedBooks
Related Items
Related Items
We currently cannot retrieve any items related to this title. Kindly check back at a later time.
This website uses cookies to ensure you get the best experience on our website.