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The Ghost in the Interview: Spectres of Mnemotechnics in \Our Automated Lives\
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The Ghost in the Interview: Spectres of Mnemotechnics in \Our Automated Lives\
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Journal Article
The Ghost in the Interview: Spectres of Mnemotechnics in \Our Automated Lives\
2018
Overview
Background sounds, including a bell ringing, the clatter of cutlery and occasional crashes, acousmatically intervene in the conversation.2 The ensemble of images and sounds here collectively constitute an audiovisual flux that crosshatches with the \"fluxes of consciousness\" of the spectators, by means of technologies usually mobilized in order to remotely \"hypersynchronizing\" consciousnsesses (2011b, 85).3 To study, or analyze, these videos then would be to explore critically the imbrications of the audiovisual fluxes and fluxes of consciousness diachronically (52).In a \"televised\" discussion on the topic of ghosts in relation to time, Derrida and Stiegler debate the question of what part technology might play in mediating such spectres, leading the latter to state that mediating transmission consists in the \"irreducible distension between the event and its recording\" (Derrida and Stiegler 2002, 125).[...]it is as if there is a double-clock at work.Roland Barthes (2002 [1974]) famously explores aspects of the transformative process of transcription in \"De la parole a ľécriture\", an essay in which he also employs the notion of gains and losses to interrogate the nature of the procedure of transforming the spoken into written, the motional into the fixed.
Publisher
Liminalities
Subject
