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Scenes from Argentina: Barbarism, Allegory and Power in La vida entera (1981) by Juan Carlos Martini / Escenes argentines: barbàrie, al·legoria i poder a La vida entera de Juan Carlos Martini / Escenas argentinas: barbarie, alegoría y poder en La vida entera de Juan Carlos Martini
by
Ibañez, Agustina
in
Allegory
2018
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Scenes from Argentina: Barbarism, Allegory and Power in La vida entera (1981) by Juan Carlos Martini / Escenes argentines: barbàrie, al·legoria i poder a La vida entera de Juan Carlos Martini / Escenas argentinas: barbarie, alegoría y poder en La vida entera de Juan Carlos Martini
by
Ibañez, Agustina
in
Allegory
2018
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Scenes from Argentina: Barbarism, Allegory and Power in La vida entera (1981) by Juan Carlos Martini / Escenes argentines: barbàrie, al·legoria i poder a La vida entera de Juan Carlos Martini / Escenas argentinas: barbarie, alegoría y poder en La vida entera de Juan Carlos Martini
by
Ibañez, Agustina
in
Allegory
2018
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Scenes from Argentina: Barbarism, Allegory and Power in La vida entera (1981) by Juan Carlos Martini / Escenes argentines: barbàrie, al·legoria i poder a La vida entera de Juan Carlos Martini / Escenas argentinas: barbarie, alegoría y poder en La vida entera de Juan Carlos Martini
Journal Article
Scenes from Argentina: Barbarism, Allegory and Power in La vida entera (1981) by Juan Carlos Martini / Escenes argentines: barbàrie, al·legoria i poder a La vida entera de Juan Carlos Martini / Escenas argentinas: barbarie, alegoría y poder en La vida entera de Juan Carlos Martini
2018
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Overview
El següent article estudia el funcionament de l’al·legoria, el fragment i la ruïna a la novel·la La vida entera (1981) de l’escriptor argentí Juan Carlos Martini. Aquests recursos serveixen com a operacions que permeten: 1) l’entrada del referent polític-històric en el text i la seva configuració com a mapa de les pugnes de poder i de la violència política desencadenada durant les dècades seixanta i setanta a Argentina; 2) qüestionar críticament l’esdevenir i la Història; i 3) afirmar la idea d’un temps cíclic (Nietzsche, 2002) a partir del qual els espais, els cossos, els personatges i la mateixa escriptura esdevenen marca i símbol bàrbar (Sarmiento, 1979).
Publisher
Universitat Autonoma de Barcelona, Servei de Publicacions
Subject
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