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TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS
TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS
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TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS
TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS

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TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS
TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS
Journal Article

TIERRA PRIMITIVA. FLOTACIONES Y ABATIMIENTOS

2020
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Overview
SUMMARY Since the end of the 19th century, some painters, such as the French Paul Gauguin or the German Max Pechstein, felt the need to physically move to the places where primitive people lived, attracted by the force of their art. Not content with observing the productions of these so-called \"primitive\" cultures in ethnographic museums, many artists of the European avant-garde of the 20th century embarked on a direct exploration of them, undertaking long journeys to share even their way of life. Primitivism was an essential ingredient in the formation of new avant-garde art and, in 1911, Wilhelm Worringer, a leading figure in the historiography of art, was unequivocal in his defence of it. All these authors refer to the myths developed in these cultures, which are directly related to the earth and to an eventual collapse of UE onto the earth.
Publisher
Proyecto, Progreso, Arquitectura