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Journal Article
TEACHING CLARINET
2023
Overview
[...]watching professionals form embouchures actually shows a two-part process, the first of which resembles a smile, the firming of the lower lip as the reed is positioned. The other aspects of a good single-lip embouchure are well known: the reed an appropriate strength; the angle of the clarinet appropriate for the mouth formation of the individual; the teeth relatively high on the mouthpiece; the lower lip neither too high nor too low on the reed. There is a bonus: tone has more ring with the bell in the air, and long Bî will not sound flat and muffled. Because we skip the thumb in the right hand, the index finger of the right hand corresponds to the thumb of the left hand, and so on. [...]it \"finds\" the reed and helps students learn to keep the tongue close to the tip of the reed and to touch the reed with light contact. 7 The second technique is totally practical, to be used any time a note is repeated or at the beginning of a new slur.
Publisher
International Clarinet Association
Subject
