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Polyphony, Uncertainty, and Exploration in Sonata Form: Commentary on De Souza, Dvorsky, and Oyon
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Polyphony, Uncertainty, and Exploration in Sonata Form: Commentary on De Souza, Dvorsky, and Oyon
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Journal Article
Polyphony, Uncertainty, and Exploration in Sonata Form: Commentary on De Souza, Dvorsky, and Oyon
2024
Overview
(2024) conduct a comprehensive corpus analysis examining the relationship between musical texture and large-scale form in classical string quartets by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. [...]polyphonic textures in the development section may heighten the listener's yearning for the return of the more homophonic primary theme. [...]although both transitions and development sections aim to build anticipation for upcoming themes, they differ significantly in how they handle tension and explore musical ideas. Similar slopes would indicate aligned pitch movements, typically corresponding to parallel motion, whereas significant differences in slope values may reflect contrary motion or the use of other contrapuntal techniques. [...]integrating expert evaluations into the analysis could enhance the validity of the findings. Oxford University Press. https://doi.Org/10.1093/acprof:oso/9780195146400.001.0001 Hills, T. T, Todd, P. M, Lazer, D., Redish, A. D., Couzin, I. D., & Cognitive Search Research Group.
Publisher
The Ohio State University Library
Subject
