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De l'abstraction entre guillemets
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Journal Article
De l'abstraction entre guillemets
2025
Overview
The plural form, \"abstractions,\" is significant; it immediately neutralizes the modern tendency to consider abstraction the \"truest\" and most accomplished form of expression in painting due to its being supposedly faithful to the medium. Inherited from a linear and progress-oriented model of history, this idea no longer holds sway. Yet the term \"abstraction\" still drags it in its wake, as peremptory affirmations of this concept long marked its history, from the early manifestos up to the dogmatic positions of Clement Greenberg and Ad Reinhardt in the 1960s. Here, Loubiere examines works and practices in which some abstraction is manifested.
Publisher
Les Éditions esse
Subject
