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Rannahoone ja moodne supelrand sõdadevahelises Eestis
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Journal Article
Rannahoone ja moodne supelrand sõdadevahelises Eestis
2025
Overview
The new beach culture needed its own infrastructure, and a new type of building was born in the form of the beach house. Many local governments and associations were able to afford to erect these seasonal lightweight wooden structures, which provided dining tables, changing rooms, clothing storage, and basic beach services. While Pärnu I (O. Siinmaa, 1927) and Tallinn Pirita (E. Kuusik, 1929) were still historicist, the Tartu municipal swimming pool (A. Matteus, 1928) on the banks of the Emajõgi River added an expressionist touch. The most masterful in terms of architecture were the asymmetrical Tallinn Pelguranna (O. Soans, 1937) and the only stone building, Pärnu II (O. Siinmaa, 1939), whose mushroom-shaped balcony remains one of the symbols of the city to this day. Linnavolikogus seisis just baltisakslaste fraktsioon supelasutuse taastamise eest,13 mis näitab, et vana eliit väärtustas traditsioonilist kuurorti. Vaatamata sellele, et supelriided muutusid aina napimaks, võimaldas mood luua eristumisi jõukate ja lihtrahva randadeks.16 Suvituslinnades oli oluline jagunemine kohalikeks ja supel-võõrasteks, aga eksisteeris ka põlvkondlik veelahe, sest vanemad inimesed ei võt-nud omaks uut rannakultuuri.17 Eestlasi meelitasid randa ka sportlikud tegevused, mis 20. sajandi alguses haa-rasid paljusid ja pakkusid nüüd rannas hasartsemat ajaviidet kui päevitamine.
Publisher
Estonian Society of Art Historians
Subject
