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Specters of provenance - national loans, the Königsplatz, and Maria Eichhorn's 'Politics of Restitutiion'
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Journal Article
Specters of provenance - national loans, the Königsplatz, and Maria Eichhorn's 'Politics of Restitutiion'
2004
Overview
Discusses Maria Eichhorn's exhibition 'Politics of Restitution' at the Kunstbau in Munich (2004), which featured 16 paintings from the Lenbachhaus museum that had been confiscated by the Nazis during World War II. The author states that Eichhorn included reprints of legal proceedings and a lecture series in her exhibition, chronicles Munich's historical connection with art stolen by the Nazis, and notes that paintings displayed included works by Ludwig Eibl, Robert Schleich, and Theodor Leopold Weller. He explains how the works appealed to the Nazi interest in bucolic German art, focuses on the ownership history of the exhibited painting 'Trotting Race in Ruhleben' (1921; illus.) by Max Slevogt, and relates Eichhorn's exhibition to the Freudian notion of the heimlich.
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