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Auditory Immersion Unites Diverse Films
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Magazine Article
Auditory Immersion Unites Diverse Films
2018
Overview
To simulate the powerful Saturn V rocket of the Apollo missions, microphones 200 to 400 yards away recorded the launch and re-entry of SpaceX's Falcon Heavy \"We wanted space travel to have a chilling feeling as though the astronauts are leaving the world of the living and headed into a place where humans are not supposed to go,\" says supervising sound editor and re-recording mixer Ai-Ling Lee. The same for the quick-witted period piece \"The Favourite,\" \"Mary Queen of Scots\" and Alfonso Cuarón's \"Roma,\" a black-and-white film set in 1970s Mexico, where supervising sound editor Sergio Diaz spent 18 months recording period cars, planes and neighborhoods south of the border. Building the energy of \"Bohemian Rhapsody,\" re-recording mixer Paul Massey had access to all the original 24-track material of Queen, including the Live Aid concert and the band on tour \"We tried to evolve the sound in the film as the band did,\" Massey says.
Publisher
Penske Business Corporation
Subject
/ Editing
