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Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa
Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa
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Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa
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Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa
Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa
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Is classical ballet sexist? From Swan Lake to The Sleeping Beauty, it's time to look again at the work of Marius Petipa

2019
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Overview
Glorious, sparkling, full of dance variety, the heartbeats of every scene in which they appear, they’re figureheads whose inner lives remain unknown. According to her account, these often took place before their children and servants; Maria left him after an incident in which he began to throttle her and spit at her. While many of his Russian artist contemporaries (Dostoyevsky, Repin, Mussorgsky, Tolstoy, Borodin, Rimsky-Korsakov) were pursuing a cult of Russian subject matter for Russian people, Petipa kept looking to the west, pursuing art for art’s sake. Feminist Germaine Greer once argued that Shakespeare, in his comedy The Taming of the Shrew, gave to its tamed heroine Kate a final speech that’s “the greatest defence of Christian monogamy ever written”.
Publisher
Independent Digital News & Media