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Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
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Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
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Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5

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Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5
Newspaper Article

Journal: Review: Classical: Jonas Kaufmann: Wigmore Hall, London 4/5

2015
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Overview
The more lavish writing of [Wagner]'s Wesendonck Songs and [Liszt]'s Three Petrarch Sonnets suited [Jonas Kaufmann]'s vocal largesse better than the finer-grained intimacy of the Schumann settings. [Helmut Deutsch], too, revelled in the virtuosic piano parts of the Liszt songs, which have rarely seemed more operatic than they did on this occasion. Yet however opulent the singing, Kaufmann retained perfect control over his instrument, producing some haunting effects and flooding Liszt's effusive vocal lines with a wealth of glorious tone.
Publisher
Guardian News & Media Limited
Subject