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BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
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BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
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BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky

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BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky
Newspaper Article

BOOK NOTES: \Claim to Oblivion\ by Yuriy Tarnawsky

2016
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Overview
The remaining three essays are devoted to film, an art form that, according to Mr. [Yuriy Tarnawsky], has had a profound influence on him as a writer. The films Mr. Tarnawsky discusses are emblematic works of modernist cinema: Pier-Paolo Pasolini's \"Teorema,\" Ingmar Bergman's \"Persona,\" Michelangelo Antonioni's \"L'Eclisse\" and Alexander Dovzhenko's \"Arsenal.\" The Bergman article appears to crack the enigma of the introductory passage with the mysterious boy in the morgue that has perplexed and confused both critics and cinema lovers ever since the film's release 50 years ago. In the \"L'Eclisse\" essay Mr. Tarnawsky censures Martin Scorsese for not recognizing Dovzhenko as the originator of the Poetic Cinema School.
Publisher
Ukrainian National Association