Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Arts: Architecture: Jewel in the town In power, Labour has become as obsessed with size as the Tories were. It could learn a thing or two from Tony Fretton. Jonathan Glancey reports
by
Glancey, Jonathan
in
Architecture
/ Fretton, Tony
1998
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Arts: Architecture: Jewel in the town In power, Labour has become as obsessed with size as the Tories were. It could learn a thing or two from Tony Fretton. Jonathan Glancey reports
by
Glancey, Jonathan
in
Architecture
/ Fretton, Tony
1998
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Arts: Architecture: Jewel in the town In power, Labour has become as obsessed with size as the Tories were. It could learn a thing or two from Tony Fretton. Jonathan Glancey reports
Newspaper Article
Arts: Architecture: Jewel in the town In power, Labour has become as obsessed with size as the Tories were. It could learn a thing or two from Tony Fretton. Jonathan Glancey reports
1998
Request Book From Autostore
and Choose the Collection Method
Overview
Triumphalist architecture will lead New Britain plc into the privatised new millennium. There's the Dome, of course, sitting in aggressive isolation on the north Greenwich peninsula, a monument to what a newly published pro-government essay - In Defence Of The Dome - describes in Orwellian terms as `a massive human resources project in New Labour groupthink'. Or what the rest of us know as corporate sponsorship and the celebration of private enterprise (the only way forward for the British economy, Peter Mandelson, the horny-headed Dome secretary told a cringeing Labour Party conference last week). And yet those of us with memories that stretch back to, ooh, 1997 will recall earnest New Labour discussions with certain politicians and ambitious members of labyrinthine quangos in which the idea of bringing art and culture to the plebs, especially those unfortunate enough to have been spawned in the provinces, was to have been rooted in a happy garden of small-scale, high-value (cultural value, that is) arts buildings. In those far-off days when New Labour was an untried and untested brand, it promised us a New Jerusalem, and many of us wanted to believe that the cultural crassness of the Thatcher years was to have been allayed. Art and culture are now the product lines of corporate desire and sponsorship. `It doesn't pay for architects to speak out today,' says Tony Fretton, a thoughtful and inspired British architect who has designed some of the finest small art galleries in Britain. `They're expected to keep their heads down. And, in any case, few younger architects are ideological in any way today. I think they're lucky. They're seemingly free from political agendas, from history and the old arguments of morality and design that beset my and older generations.'
Publisher
Guardian News & Media Limited
Subject
This website uses cookies to ensure you get the best experience on our website.