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NEW, SIMPLY-STAGED `AINADAMAR' FINDS ITS SOUL
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Newspaper Article
NEW, SIMPLY-STAGED `AINADAMAR' FINDS ITS SOUL
2006
Overview
[OSVALDO GOLIJOV]'s music, charged with Spanish rhythms and timbres, is hypnotically beautiful and lustrously orchestrated. The electronic waters of the opening are as primordial as Wagner's portrait of the Rhine; the percussive patterns of horsehooves, later echoed in gunshots, are terrifying. Golijov has omitted the role of the young [Margarita Xirgu], assigning her music to a new character; he's extended some scenes and added a dream sequence about Xirgu's fantasy of escape with [Federico Garcia Lorca] to Cuba. An \"Havana\" song evokes Kurt Weill, as do some other details, but without the mordancy, and a little more mordancy would help cut the prevailing sweetness.
Publisher
Boston Globe Media Partners, LLC
Subject
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