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Trojans' encamping on Mass. Ave
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Newspaper Article
Trojans' encamping on Mass. Ave
2008
Overview
Given all the psychic capital Berlioz had invested in Virgil, together with his grimly realistic assessment of what the Parisian public and its operatic establishment could handle, Berlioz resisted the idea of actually writing his Virgilian opera for an untold number of years. For all its expressive ardor and grand scale - the finale of Act I, marking the arrival of the Trojan Horse, calls for three off-stage orchestras - the work is also indebted to the graceful and elegant tradition of 18th-century French classical opera.
Publisher
Boston Globe Media Partners, LLC
Subject
